I've never regarded myself an audiophile. Don't get me wrong—I greatly appreciate high-quality audio imitation, and I know it when I listen to it. But I've never seriously followed the 2-channel activity as shown in our brother book Stereophile. I believe this is because I've been an established artist far more time than just about anything else in my lifestyle, and I invest so enough time enjoying stay songs that no imitation program can contend in my hearing.
On the other side, I do consider myself a videophile—I invest time calibrating my shows in order to fulfill the factors founded by the market, and I can't help realizing the tiniest mistakes in a visible picture. Of course, I also want my encompass program to audio as excellent as possible—audio is at least 50 percent the home theater encounter, after all—so I properly choose and set up the audio elements as well. But would you is a generally different encounter than 2-channel songs with no associated with movie.
On the other side, I do consider myself a videophile—I invest time calibrating my shows in order to fulfill the factors founded by the market, and I can't help realizing the tiniest mistakes in a visible picture. Of course, I also want my encompass program to audio as excellent as possible—audio is at least 50 percent the home theater encounter, after all—so I properly choose and set up the audio elements as well. But would you is a generally different encounter than 2-channel songs with no associated with movie.
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